Dr. Jack Shaheen on TCM’s “Arab Images on Film: “I no more feel alone”
For pretty much 40 years, Southern Illinois College professor Dr. Jack Shaheen trained media classes throughout the day and also at night toiled on books detailing how Arabs happen to be portrayed in popular culture. Because of Turner Classic Movies’ month-lengthy “Race and Hollywood: Arab Images on Film” festival this month, Shaheen presently has countless new students. The writer of “Reel Bad Arabs: How Hollywood Vilifies a People” helped to curate the festival and co-hosts the series with TCM host Robert Osborne each Tuesday and Thurs . throughout This summer.
“I’m 75 years old,Inches Shaheen shared Tuesday morning. “For decades, Used to do all of this research with only my spouse. I did not actually have a graduate assistant. All of a sudden, with an chance on network television to go over these images and to ensure they are more visible is hugely gratifying and humbling. I no more feel alone.”
Through the month, Shaheen and Osborne have proven and discussed the combined impact of decades of negative, stereotypical and frequently mythologized pictures of the center East. From Elvis gyrating his sides through Harum Scarum” to Bing Crosby and Bob Hope crooning atop a camel in “Road to The other agents,” Shaheen has led viewers with an in-depth analysis of inaccurate, racist and merely plain wrong information Hollywood has woven into popular entertainment.
After days of wading through flying carpets, sinister sheiks and under reliable maidens, tonight and Thursday’s concluding films within the festival concentrate on evenhanded portrayals and positive pictures of Arabs produced outdoors of Hollywood. One notable example is tonight’s screening of “Three Nobleman,” the 1999 publish-Gulf War drama starring George Clooney and Mark Wahlberg. Shaheen offered like a Middle East consultant around the picture. “To be truthful, initially when i first saw the script I had been inclined to show lower the task,Inches he conceded. “But ultimately, with the dedication from the producer and also the director, we managed to get a much better film. It isn’t a sugar-coated film at all but it’s a far more measured examination.”
For Thursday night’s concluding evening of flicks, Shaheen selected certainly one of his favorite movies, 2003’s “Rana’s Wedding” from Palestinian director Hany Abu-Assad. The video shot on location, sets a bride on the deadline towards the altar from the backdrop of obstacles, rock-tossing and armed soldiers of occupied Palestine. “It’s funny, it’s sad also it humanizes in an exceedingly subtle way,” assessed Shaheen. “To come with an chance to provide a movie want it to the TCM audience is marvelous.”
Unlike the African-American, Asian, Native American and Latino images presented in past TCM “Race & Hollywood” festivals, viewers cannot easily place Arab images in to the rear view mirror inside a publish-9/11 world.
“That’s why is a series such as this essential,Inches stated Shaheen. “We’ve were built with a month to go over these images within an in-depth and intelligent way. Robert Osborne was curious and requested the precise right questions after which permitted me to go over things inside a thoughtful manner on network television. Because of TCM, we’re taking an unparalleled advance and I’m very grateful for your.Inches